Where does the threat come from? 威胁从何而来
Listening to ordinary people’s worries, of course, in no way implies that one should accept the basic premise of their stance—the idea that threats to their way of life comes from outside, from foreigners, from “the other.” The task is rather to teach them to recognize their own responsibility for their future. To explain this point, let’s take an example from another part of the world.
Udi Aloni’s new film Junction 48 (upcoming in 2016) deals with the difficult predicament of young “Israeli Palestinians” (Palestinians descended from the families that remained in Israel after 1949), whose everyday life involves a continuous struggle at two fronts—against Israeli state oppression as well as fundamentalist pressures from within their own community. The main role is played by Tamer Nafar, a well-known Israeli-Palestinian rapper, who, in his music, mocks the tradition of the “honor killing” of Palestinian girls by their Palestinian families. A strange thing happened to Nafar during a recent visit to the United States. At UCLA after Nafar performed his song protesting “honor killings,” some anti-Zionist students reproached him for promoting the Zionist view of Palestinians as barbaric primitives. They added that, if there are any honor killings, Israel is responsible for them since the Israeli occupation keeps Palestinians in primitive, debilitating conditions. Here is Nafar’s dignified reply: “When you criticize me you criticize my own community in English to impress your radical professors. I sing in Arabic to protect the women in my own hood.”
An important aspect of Nafar’s position is that he is not just protecting Palestinian girls from family terror he is allowing them to fight for themselves—to take the risk. At the end of Aloni’s film, after the girl decides to perform at a concert against her family’s wishes, and the film ends in a dark premonition of honor killing.
In Spike Lee’s film on Malcolm X there is a wonderful detail: After Malcolm X gives a talk at a college, a white student girl approaches him and asks him what she can do to help the black struggle. He answers: “Nothing.” The point of this answer is not that whites should just do nothing. Instead, they should first accept that black liberation should be the work of the blacks themselves, not something bestowed on them as a gift by the good white liberals. Only on the basis of this acceptance can they do something to help blacks. Therein resides Nafar’s point: Palestinians do not need the patronizing help of Western liberals, and they need even less the silence about “honor killing” as part of the Western Left’s “respect” for Palestinian way of life. The imposition of Western values as universal human rights and the respect for different cultures, independent of the horrors sometimes apart of these cultures, are two sides of the same ideological mystification.
In order to really undermine homeland xenophobia against foreign threats, one should reject its very presupposition, namely that every ethnic group has its own proper “Nativia.” On Sept. 7, 2015, Sarah Palin gave an interview to Fox News with Fox and Friends host Steve Doocey:
“I love immigrants. But like Donald Trump, I just think we have too darn many in this country. Mexican-Americans, Asian-Americans, Native-Americans—they’re changing up the cultural mix in the United States away from what it used to be in the days of our Founding Fathers. I think we should go to some of these groups and just ask politely: “Would you mind going home? Would you mind giving us our country back?”
“Sarah you know I love you,“ Doocey interjected, “And I think that’s a great idea with regards to Mexicans. But where are the Native Americans supposed to go? They don’t really have a place to go back to do they?”